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Archive: Apr 1, 2007


WORD
Ad land's do-gooders
BOARDFLOW
MONITOR
TOPIC
The King of Beers aims to ...
DIRECTOR'S CHAIR
SPOTOPSY
ON LOCATION
I.D.
FIRST BOARDS AWARDS
Joaquin Baca-Asay > Park ...
Robert Groenwold > Boxer ...
Tony Barry > Hungry Man, ...
Miles Murphy > Goodoil ...
Johnny Green > ...
Adam Marshall> The ...
Ashley Kreamer > Final ...
Sam Gunn > The ...
SSSR > Passion Pictures, ...
Seth Gollub > Framestore, ...
Fluorescent Hill> Spy ...
Eric Edwards > Superfad, ...
Paul Schlacter > ...
Brady Baltezore > Radium, ...
Nathaniel Morgan > ...
Kael Alden > Robot ...
Scott Friedman > Endless ...
David Roth / Shaun Bruce ...
Zamile Vilakazi > ...
EDITORS REPORT
INVENTORY & HOOKUPS
A look at who's making ...
REARVIEW

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Finalist: Editors
Ashley Kreamer > Final Cut, New York
by: Apr 1, 2007 Print

Just the facts: Age - 28; Hometown - New Orleans/Singapore; Education - Boston University; Employ - has been at Final Cut for over five years. Cut her first spots for eBay in 2006. Growing up: Kreamer's father is an oceanographer and traveled a lot. She lived in Panama, Singapore and Indonesia before returning to the US to study cinematography. First editing gig: In 2000, she interned at CNN's Beijing bureau. Camera crews would covertly shoot Falun Gong demonstrations and she would edit the footage, tape-to-tape. She also landed the role of a corrupt Chicago cop in a Chinese TV miniseries called Yellow Tiger and studied Wushu at the Beijing Sports Institute, "none of which I retained. I can't tell you how many people have tried to track down the film and haven't found it - which is a good thing."

Best work: She started at Final Cut in 2001, assisting Gary Knight, Sara Iben and Rick Russell, and steadily built a reel, cutting a spec job for ESPN about two miniaturized baseball players placed in a cock-fight ring. "The footage was so gritty, it was fun to play around with," she says. "The more I cut, the more I feel like I'm starting to find my own rhythm."

The future: If Final Cut opens in Asia, Kreamer wants in. "Being a child of expats gives you wanderlust," she says. "One of the nice things is the future of editing is more mobile."


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