A publication of Brunico Communications Ltd.

Greg Griffith, Stimmüng

Winner: Composers

JUST THE FACTS: Age - 35; Hometown - Trinity, North Carolina; Education - North Carolina School of the Arts for one year, taking percussion ("But after that, I'm a dropout"); Employ - Stimmüng, since 2005 (initially freelance, now a staff writer).

PREVIOUS EXPERIENCE: Griffith's musical adventures began with two turntables ("I was really into Run DMC when I was 12"), which he eventually traded in for a bass and amp. Playing in a variety of bands led to time behind the mixing desk, which later translated into engineering at music houses such as JSM. "I'd been around it for a while, but never composed," he explains. "And then I had a kid, and had to figure out how I was gonna take care of him." Cue an introduction to Stimmüng EPs Kelly Fuller and Reinhard Denke via a staff writer, which led to them "throwing work at me, and I started figuring it out."

SIGNATURE SOUND: Griffith says he's good with "quirky pop and lyrics" - two traits that came in handy for his work on last September's Saturn "Walls" spot for Goodby, Silverstein & Partners, San Francisco. According to the Stimmüng EPs, the job's agency creatives immediately cottoned to Griffith and his track, a folksy acoustic piece that falls somewhere between Simon & Garfunkel's funkier bits and Elliott Smith. "Someone like Jamie [Barrett, CD at Goodby] has worked with the best of the best and has pretty high standards - for him to like Greg right off the bat, that really says something," says Denke. "It's probably partly due to my limitations," muses Griffith, "but I guess I have a thing, and the thing I do, I do pretty well."

BEST WORK: Besides the Saturn spot, Griffith's getting props for another FBA entry, a Sony Handicam spot for Bagby & Company, "Stars", which features a children's chorus singing his jaunty, African-inspired track. What was initially a "pretty challenging" assignment turned into a warm and fuzzy experience. "Having this group of kids come in and sing this song I wrote and take it to a whole new place - it was pretty cool," says Griffith. "He never looks at it like a commercial, he just writes something that he loves," enthuses Stimmüng's Fuller.

FIRST JINGLE HE CAN REMEMBER HUMMING: "The first thing that comes to mind is 'Have a Coke and a smile' - but maybe because it's been thrown at me for 15 years."

Stimmüng> http://www.stimmung.tv

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May 2010

Our May 2010 issue features a roundtable of directors, agency execs and production company EPs discussing the dire lack of women behind the camera on commercial shoots, our annual list of the year's top spot helmers, the story behind Philips' "Parallel Lines" shorts and more.



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