A publication of Brunico Communications Ltd.

Archive: Dec 1, 2002


Word
So ends the year
Board Flow
Overall board flow, 6/10
Bulletin Board
What's happening in the ...
Rio de Janeiro is not the ...
Why the Internet is good ...
A look at the month's ...
Because their future is ...
Scope
Director's Chair
Become director's for hire
Spotopsy
A/V Club
Special Report: Best of Year 2002
Top spots/campaigns 2002
Top Companies and ...
W+K success comes through ...
Sam Sneade keeps the beat ...
It's gorgeous on top
Eric King and Jeff ...
Puppeteering the ...
Jan Velicky: Doctor of ...
Frank Budgen, the current ...
Special Report: New in New York
Doing it virtually
Launching a digital prodco
Welcome to The Now
It's all in the name
Rising to the occasion
Keeping it all under one ...
Working a network of ...
Serves up a life-long ...
Birth of an FX shop
Inventory
Inventory
Rearview
The long and short of it

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Special Report: New in New York
Deep Diner
Serves up a life-long partnership
by: Dec 1, 2002 Print

As kids, Allan Schwartzberg and Bob Mann made pilgrimages to the corner of 52nd and Broadway to catch the magic at Birdland, the seminal jazz club named after Charlie Parker. It's fitting then that after an arduous search for real estate
in Manhattan this year, they returned to the site to open Deep Diner Music
right upstairs.

Schwartzberg is a first-call session drummer nominated for the Rock and Roll Hall of Fame, and Mann is known as the guitar player of choice for James Taylor, Barbara Streisand and Celine Dion.

The last four years have seen the duo scoring the Terry Hatcher/Howie Long and Ving Rhames/Vanessa Williams spots for Radio Shack and their in-house agency Circle R. This year's Christmas campaign is being recorded in Deep Diner's new live room and features Shwartzberg and Mann backing up Paul Shaffer. The same live room was recently used to record a ten-piece string section and eight horns for the new Steve Tyrell jazz album, which Mann produced for Columbia.

ProTools and Digital Performer anchor the tech side of the facility, with a 42-inch plasma screen for playback. The equipment and renovations were financed out of cash flow and a small personal loan.

Shwartzberg and Mann list their direct competition as the established musician-owned houses like New York Noise, David Horowitz and Sunday Productions - all of whom are friends. "Everybody is rooting for work to stay in New York. And as long as it does, it's better for everybody," says Shwartzberg.

WEBFILES:
Deep Diner> http://www.deepdiner.com


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