A publication of Brunico Communications Ltd.

Archive: May 1, 2002


Word
Kill yer TV, hump yer PC
Board Flow
Overall board flow: 6/10
Scope
Clientology
Xbox plays philosopher
On the Spot
Even the caviar is cheap, ...
Spotopsy
Rocky & Mike's Hard Day
A/V Club
Regional Focus: Eastern and Central Europe
Rushing east
Poland's creative frontier
Czeching the backwards ...
Zesty Zagreb ad zealots
Rad-ish drives US creative
Special Report: Broadcast Design
Shifting tides: ...
Klasky chews on Ozzie
Creativity is the plan
Special Report: Interactive Case Studies
Online marketing by the ...
So long sheet metal porn
Special Report: Directors on Top
Directors on Top
Jonas Akerlund
Bruno Aveillan
Brian Beletic
Bryan Buckley
Tom Carty
Curtis Wehrfritz
Laurence Dunmore
Craig Gillespie
Paul Goldman
Colin Gregg
Michael Patrick Jann
Walter Kehr
Gary McKendry
Dominic Murphy
Mehdi Norowzian
Klaus Obermeyer
Peluca
Lisa Rubisch
Ralf Schmerberg
Zack Snyder
Traktor
Malcolm Venville
David Lodge
Bulletin Board
MJZ slides into London
Prodco Hookups
Nike, meet Fight ...
Royal Tenenbaums ...
British post/effects ...
AICP and CFPE mingle ...
Inventory
A look at who's making ...

Advertising
The Whitehouse and The Mill open in New York
by: May 1, 2002 Print

Editing network The Whitehouse and London visual effects powerhouse The Mill have both opened New York operations, breathing much-needed life into the local post-production scene.

The Whitehouse already had offices in London, Santa Monica and Chicago, while the Gotham digs for The Mill represent its first physical transatlantic presence (The Mill had been delivering work in North America via it's Beam.tv set-up). In both cases, these companies have come to New York to position themselves more closely with the agencies producing so much of their work. Despite the similar timing of the openings, the two companies are not in cahoots.

Whitehouse NYC was launched with editor Stephen Jess and managing director Roe Bressan at the helm; Jess joins from New York's Lost Planet while Bressan has worked as MD of both Red Car and Spontaneous Combustion, both of New York. The company's 5,000-square-foot, five-bay facility should be finished and fully underway by May 2002. Prior to the official opening, Rick Lawley traveled to New York to cut the latest Enda McCallion-directed Thermasilk spot for JWT, New York and David Brixton hit New York to cut Washington Post out of Arnold Worldwide.

The Mill set up shop on the back of Cliff Freeman & Partners' latest campaign for Mike's Hard Lemonade (see Spotopsy, pg. 18). Prior to moving into its custom space mid-May, the Mill's initial two flame suites and 3D gear was housed in a 1,500-square-foot space provided by Outpost Digital. Staff for the Mill will be recruited from the US and UK. All told the satellite office signals an investment of $1 million US by The Mill.

Mill CEO Robin Shenfield succintly summed up the decision to invest in New York: "It's not about market conditions [in the US economy], it's about demand for our product and a need to interface with our clients. If we are here they will do even more business with us."

The Mill opening coincided with a soirée hosted by the UK Effects Group in the city to showcase UK post and effects talent to Madison Avenue agencies (see Bulletin Board, pg. 71).

With files from Sandy Brown

Webfiles:
The Whitehouse> http://www.whitehousepost.com
The Mill> www.mill.co.uk


Advertising
Advertising


™ 'boards, Boards Online, First Boards Awards, and the tag line "The Creative Edge in Commercial Production" are trademarks of Brunico Communications Ltd. Use of this website is subject to Terms of Use. View our Privacy Policy.