A publication of Brunico Communications Ltd.

Archive: May 1, 2002


Word
Kill yer TV, hump yer PC
Board Flow
Overall board flow: 6/10
Scope
Clientology
Xbox plays philosopher
On the Spot
Even the caviar is cheap, ...
Spotopsy
Rocky & Mike's Hard Day
A/V Club
Regional Focus: Eastern and Central Europe
Rushing east
Poland's creative frontier
Czeching the backwards ...
Zesty Zagreb ad zealots
Rad-ish drives US creative
Special Report: Broadcast Design
Shifting tides: ...
Klasky chews on Ozzie
Creativity is the plan
Special Report: Interactive Case Studies
Online marketing by the ...
So long sheet metal porn
Special Report: Directors on Top
Directors on Top
Jonas Akerlund
Bruno Aveillan
Brian Beletic
Bryan Buckley
Tom Carty
Curtis Wehrfritz
Laurence Dunmore
Craig Gillespie
Paul Goldman
Colin Gregg
Michael Patrick Jann
Walter Kehr
Gary McKendry
Dominic Murphy
Mehdi Norowzian
Klaus Obermeyer
Peluca
Lisa Rubisch
Ralf Schmerberg
Zack Snyder
Traktor
Malcolm Venville
David Lodge
Bulletin Board
MJZ slides into London
Prodco Hookups
Nike, meet Fight ...
Royal Tenenbaums ...
British post/effects ...
AICP and CFPE mingle ...
Inventory
A look at who's making ...

Advertising
Regional Focus: Eastern and Central Europe
Rushing east
by: May 1, 2002 Print

Ex-pats, many returning to their ancestral homelands, are leading some Eastern European agencies to high creative ground.

For Moscow-based United Campaigns Publicis (UCP), Canadian-born Eugene Radewych fits this bill. Radewych was a creative director with Toronto agency Griffin Bacal Volny before moving to Russia five years ago.

"After spending my whole advertising life in Canada, I was up for an adventure and Russia is an exciting place to live," he says. "Although the Russian agencies deal with very low budgets, the industry has come alive with creativity in the last year, making it a very competitive market."

UCP was founded 12 years ago. Its clients include Hewlett Packard, Renault, L'Oréal, British Airways and Coca-Cola. UCP's November 2001 work for Renault's Megane won industry plaudits and the regional business for Renault's Clio brand.

"[Megane] was the first time we were able to shoot a big-budget commercial - in Moscow terms, as budgets are not that much here - that has a very international feel to it," says Radewych.

The spot, "Drop Your Worries," is effects-driven and shows no indication of being shot in Moscow, which caused a surprising reaction and positive consumer impact. Barcelona-based director Serge Roman oversaw production, and post was handled by Moscow's Park VI.

"The concept was cool and twisted. It was based around a surreal plot demonstrating safety and peace of mind in a bizarre way," explains Radewych. "It starts out with a man about to get into his car just as a rain storm is coming. We can barely see that he is placing something in his car. Just as he gets in the car, the first rain drop narrowly misses him and lands on the window. Our hero starts the car and drives off and multiple driving sequences ensue as our hero avoids road hazards. He finally arrives at his destination, an underground garage, and stops on a dime. All the water on the car flies off, leaving the car completely perfectly dry; we used CG to create this special effect. We cut back to our hero in the car, and we reveal what he had placed in his car originally...a fish swimming in a fishbowl. It is perfectly undisturbed and safe."

Currently, Radewych is developing a new Renault spot.

"This is for Renault Paris, not the local office. It should be airing in 43 countries," he enthuses. "What is sweet is [Renault's] confidence in choosing Russian creativity that can be exported to other countries."

Despite these creative opportunities, Radewych believes it will take another couple of years before Russia has a presence in Cannes.

Webfiles:
United Campaigns Publicis> http://www.publicis.com


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