A publication of Brunico Communications Ltd.

Archive: May 1, 2002


Word
Kill yer TV, hump yer PC
Board Flow
Overall board flow: 6/10
Scope
Clientology
Xbox plays philosopher
On the Spot
Even the caviar is cheap, ...
Spotopsy
Rocky & Mike's Hard Day
A/V Club
Regional Focus: Eastern and Central Europe
Rushing east
Poland's creative frontier
Czeching the backwards ...
Zesty Zagreb ad zealots
Rad-ish drives US creative
Special Report: Broadcast Design
Shifting tides: ...
Klasky chews on Ozzie
Creativity is the plan
Special Report: Interactive Case Studies
Online marketing by the ...
So long sheet metal porn
Special Report: Directors on Top
Directors on Top
Jonas Akerlund
Bruno Aveillan
Brian Beletic
Bryan Buckley
Tom Carty
Curtis Wehrfritz
Laurence Dunmore
Craig Gillespie
Paul Goldman
Colin Gregg
Michael Patrick Jann
Walter Kehr
Gary McKendry
Dominic Murphy
Mehdi Norowzian
Klaus Obermeyer
Peluca
Lisa Rubisch
Ralf Schmerberg
Zack Snyder
Traktor
Malcolm Venville
David Lodge
Bulletin Board
MJZ slides into London
Prodco Hookups
Nike, meet Fight ...
Royal Tenenbaums ...
British post/effects ...
AICP and CFPE mingle ...
Inventory
A look at who's making ...

Advertising
Nike, meet Fight Club
by: May 1, 2002 Print

Imagine if you will, an ocean tanker moored in an abandoned harbor surrounded by the silence and darkness of the night. Then imagine, in the industrial bowels of the massive ship, an energized football pitch enclosed in a cage with two fireplace-sized goals, 24 elite footballers and a menacing overseer embodied by footie legend Eric Cantona.

This is the dark setting for Nike's new global football campaign "The Secret Tournament" from Wieden + Kennedy Amsterdam and @radical.media director Terry Gilliam. The three-minute spot features the masterful footwork, wily tactics and balls-out energy of the players. An up-tempo remix of Elvis' "A Little Less Conversation" - incidentally, the first-ever remix of an Elvis track - sets the aural feel, alongside excellent sound design of a steel-balled, sudden death cage match. To view the spot, visit www.boardsmag.com/screeningroom.

The campaign began as a series of scorpion logos appearing in spray paint around the world, followed by 10-second teasers in March featuring those scorpions in unknown metal environments. Posters of the various teams were distributed globally as a final hype-building exercise prior to the Apr. 4 launch of the campaign. The integrated campaign includes the longer spot, which features the tournament, plus 60-second and 30-second cutdowns, cinema and print ads, outdoor and live events posters, radio, and an interactive CD-ROM and Web site.

The Web site informs that a secret tourney, which allows for experimentation and improvisation, is taking place "far from nervous coaches and stuffy traditionalists." It then warns that there will be "no draws, no disputes, and no crying." Visitors are invited to fill out a bracket, predicting which team will reign victorious in the secret tournament, which launches April 4. The CD-ROM outlines the athletes and includes interactive elements like games and interviews.

Credits: W+K CDs Glenn Cole and Paul Shearer, producers Donna Lamar and Susan Cook, copywriter Tim Wolfe and art director Frank Hahn. Tommy Turtle produced for @radical.media. Milan prodco Some of Us serviced with DP Nicola Pecorini and first AD Serena Canevari. Post was from The Whitehouse with FX from the Mill, both of London. Sound mix and design from Scramble Sound and A-Bomb.

Webfiles:
Nike Football> http://www.nikefootball.com
Wieden + Kennedy> http://www.wk.com


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