A publication of Brunico Communications Ltd.

Archive: May 1, 2002


Word
Kill yer TV, hump yer PC
Board Flow
Overall board flow: 6/10
Scope
Clientology
Xbox plays philosopher
On the Spot
Even the caviar is cheap, ...
Spotopsy
Rocky & Mike's Hard Day
A/V Club
Regional Focus: Eastern and Central Europe
Rushing east
Poland's creative frontier
Czeching the backwards ...
Zesty Zagreb ad zealots
Rad-ish drives US creative
Special Report: Broadcast Design
Shifting tides: ...
Klasky chews on Ozzie
Creativity is the plan
Special Report: Interactive Case Studies
Online marketing by the ...
So long sheet metal porn
Special Report: Directors on Top
Directors on Top
Jonas Akerlund
Bruno Aveillan
Brian Beletic
Bryan Buckley
Tom Carty
Curtis Wehrfritz
Laurence Dunmore
Craig Gillespie
Paul Goldman
Colin Gregg
Michael Patrick Jann
Walter Kehr
Gary McKendry
Dominic Murphy
Mehdi Norowzian
Klaus Obermeyer
Peluca
Lisa Rubisch
Ralf Schmerberg
Zack Snyder
Traktor
Malcolm Venville
David Lodge
Bulletin Board
MJZ slides into London
Prodco Hookups
Nike, meet Fight ...
Royal Tenenbaums ...
British post/effects ...
AICP and CFPE mingle ...
Inventory
A look at who's making ...

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Special Report: Directors on Top
David Lodge
by: May 1, 2002 Print
Production affiliations: UK - Outsider / US - Omaha
Years Directing: 5
Shoot days in 2001: 50; 20 so far in 2002
Geography: British, based in London
Favorite Spot: McDonald's "Recovery" versus Ikea "Billy"
Most inspirational scultptor/filmmaker/painter: William Klein

*

"These days, everyone and their cousin directs in London so I keep my head down, plug hard at it and keep my nose clean," utters a modest but focused David Lodge.

Work for St. Ives through AMV.BBDO, and Ikea, "Billy," a final spot through St. Luke's [before the account went in-house at Ikea] are recent projects of note, both utilizing agency concepts Lodge jazzed up with humor in production.

"You're always looking for quirky ideas; those observational, ironic slices of life," says Lodge. "Then you have to grasp obscure concepts when they come through the fax then let them go off the rails. You fight fiercely for these scripts in the London market because it's the groundbreaking work I need to tackle. It's paramount to push the boundaries."

Lodge took McDonald's off the rails and onto the highway with "Recovery," a spot for Leo Burnett, London that shows a tow truck transporting a drained salaryman through a drive-through to be "filled up." Adopting a How Green Was My Valley tone, Ikea's "Billy" has a fence-post driving father tearfully send his son off to Ikea with a truckful of locals, bidding him, "Bring me back a lamp!"

Lodge has experienced an exponential rise in shoot days since January 2002, logging more than 20 days in just three months.

"It's brilliant to shoot so much," explains Lodge. "You have a quick turnaround, continue to learn your craft and the speed makes it very intense - you have to be quick on your feet."

His own entry into direction came through various promos, jumping between a number of production companies on the London market. Joining London's Outsider two years ago was a judicious choice, allowing Lodge better access to the elusive scripts he had sought.

"I'm not worried about big-budget work," says Lodge. "It's more finding ways to do progressive work far and away from the formulaic, slick shit with no concept to move you."

Webfiles:
Outsider> http://www.outsider.tv
Omaha> http://www.omahapictures.com


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