A publication of Brunico Communications Ltd.

Archive: May 1, 2002


Word
Kill yer TV, hump yer PC
Board Flow
Overall board flow: 6/10
Scope
Clientology
Xbox plays philosopher
On the Spot
Even the caviar is cheap, ...
Spotopsy
Rocky & Mike's Hard Day
A/V Club
Regional Focus: Eastern and Central Europe
Rushing east
Poland's creative frontier
Czeching the backwards ...
Zesty Zagreb ad zealots
Rad-ish drives US creative
Special Report: Broadcast Design
Shifting tides: ...
Klasky chews on Ozzie
Creativity is the plan
Special Report: Interactive Case Studies
Online marketing by the ...
So long sheet metal porn
Special Report: Directors on Top
Directors on Top
Jonas Akerlund
Bruno Aveillan
Brian Beletic
Bryan Buckley
Tom Carty
Curtis Wehrfritz
Laurence Dunmore
Craig Gillespie
Paul Goldman
Colin Gregg
Michael Patrick Jann
Walter Kehr
Gary McKendry
Dominic Murphy
Mehdi Norowzian
Klaus Obermeyer
Peluca
Lisa Rubisch
Ralf Schmerberg
Zack Snyder
Traktor
Malcolm Venville
David Lodge
Bulletin Board
MJZ slides into London
Prodco Hookups
Nike, meet Fight ...
Royal Tenenbaums ...
British post/effects ...
AICP and CFPE mingle ...
Inventory
A look at who's making ...

Advertising
AICP and CFPE mingle waters
by: May 1, 2002 Print

Could the vigorous cross promotion of award ceremonies between the US-based Association of Independent Commercial Producers (AICP) and European entity the Commercial Film Producers of Europe (CFPE) be a prelude to greater collusion by the two commercial production associations?

At this point, no official link has been forged, however, the 2002 AICP show ("The Art & Technique of the American Television Commercial ") introduced a new category; Advertising Excellence/International, which members of the CFPE board judged.

Similarly, the AICP is promoting the CFPE Young Directors Awards, an event that takes place in Cannes concurrently with the ad fest. While the CFPE board was in New York judging in mid-March, discussions on production infrastructure and cooperation took place and, AICP president/CEO Matt Miller voiced strong words of support for the need for global production standards.

"We're in the education phase right now, exchanging information," said Miller. "But our goal is to find ways to work together in order to ensure a production-friendly environment wherever our producers choose to film."

Spokesperson Birthe Møller of the CFPE concurs that the new relationship is in its earliest stages.

"There is no formal relationship between CFPE and AICP. We are both 'producer's associations' and following that we have a common interest in discussing the market situation on a regular basis," says Møller. "It is a new thing that we meet with the American association, but we have agreed to continue discussions whenever possible and to help each other on relevant issues, such as exchanging information on new standards."

Miller says as global holding companies "gobble up every agency in the world," the AICP's established national guidelines and analysis of agency contracts will take on greater international significance as US business practices are spread via agency networks. Miller also notes that if the relationship is successful, tighter bonds with other production organizations, such as the Japanese Advertising Community, may tighten.

Webfiles:
AICP> http://www.aicp.com
CFP-E> http://www.cfp-e.com


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